On that note, if any companies out there need new readers, call me! 3) What are the credentials you need to get into script reading?
Experience with at least one company, most likely. My post linked above probably answers this already. Basically, in order to get the job you want, sometimes you have to do it for free for a little while first. Mr. Dearth asked another question that I get a lot in one form or another: We hear of astronomical numbers thrown around about the spec market, the slush pile and the amount of scripts registered with WGA and/or entered into contests each year, but (knowing this is an impossible question to answer with any kind of certainty) where would you approximate the numbers actually are per year of new scripts submitted to the general market? I couldn’t even begin to hazard a guess. And with that number, what kind of percentage would you estimate as far as scripts that are: * Nearly ready for development * Worth another look by someone else * Technically sound, but not interesting enough * Interesting but not technically sound * Barely readable I realize that you might only be able to go
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