Without listening to the 22 Srutis (tones) music, how can u conclude that its quality of consonance would be a “quantum jump” above the existing systems?
• I admit that my conclusions are confined to the conceptual domain. In a way, it is an extrapolation of the musical characteristics of the present day systems of music. I had prepared mathematical models for consonance in the existing systems and compared these with the similar model pertaining to 22 tones music. I find that the consonance characteristics in 22 tones music are far superior to the present day music systems. (I have furnished this quantified data in my Book). In view of this, I can state that my findings would get amply vindicated when the experimental set up gets geared up soon.
