Why have you identified the Ancient Music of 22 Srutis (tones) with a ‘mystic citadel’?
When I arranged the ‘22-Fractions’ in a triangular shaped matrix, I observed that they tones were concentrated within a numerical ‘trapezium’. This trapezium, in turn, could be viewed to contain three inner coridors. The seven Vedic tones (i.e. ‘Sadja-grama Scheme’) were situated in the outer corridor; five tones derived as ‘Madhyama-grama’ were found in the middle corridor. The remaining tones were found in an interior zone. Cryptologically speaking, I realised that the Sadja-grama zone could not be penetrated unless we identify them as coded forms of seven basic natural fractions. Unless this code is cracked, the Madhyama-grama located in the middle corridor can’t be perceived. Similarly, the interior zone can be perceived only after the ‘madhyama-grama’ is correctly interpreted. During my Study, I realized that the system has some ‘layers of defence’ against what may be called “crypto-analytic attacks”! That’s how it is a veritable citadel! Within this layout ‘Gandhara-3’ is represe
