Why do you think the story of Bhoothnath in todays time period be relevant for people today?
Bhoothnath is just not another ghost story. It’s a story of a little kid and a ghost who becomes friendly, their relationship and how as it develops, they are able to sort out a problem which is quite universal like togetherness, family relationships, respect for elders and so forth. Do you encourage your co-stars to take on your style and do you accept theirs when you’re acting? I have no style and I hope I don’t, and I will never want to interfere in someone else’s style. You mentioned on the BBC Breakfast while promoting Bhoothnath that you refrain from using the word Bollywood. But do you mind when people use that word in front of you? Yes, because it’s detrimental. It’s degrading. We are the Indian Film Industry and why give it a defamatory terminology. What did you learn about the mindset of young directors like debutant Vivek Sharma from your years of research and study in films? I’ve hardly done any research, but yes, I’ve had the opportunity to work with many prominent directo
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