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Who will have the silver gilt howdah on display?”

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Who will have the silver gilt howdah on display?”

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The V&A’s autumn exhibition, Maharaja: The Splendour of India’s Royal Courts, will be the first to comprehensively explore the world of the maharajas and their extraordinarily rich culture. It will bring together over 250 magnificent objects, many on loan to the UK for the first time from India’s royal collections. The exhibition will include three thrones, a silver gilt howdah, gem-encrusted weapons, court paintings, photographs, a Rolls Royce, Indian turban jewels and jewellery commissioned from Cartier and Van Cleef & Arpels in the 20th century. The exhibition will cover the period from the 18th century when the great era of the maharajas began to the end of British rule in 1947. It will show the changing role of the maharajas in an historical and social context and look at how their patronage of the arts both in India and Europe resulted in splendid and beautiful commissions designed to enhance royal status and identity. Many of the objects have never before been seen in the UK. Th

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Victoria & Albert Museum Announces Maharaja: The Splendour of India’s Royal Courts Howdah, 19th century. Courtesy of the Mehrangarh Museum Trust ©David Dunning. LONDON.- The V&A’s autumn exhibition, Maharaja: The Splendour of India’s Royal Courts, will be the first to comprehensively explore the world of the maharajas and their extraordinarily rich culture. It will bring together over 250 magnificent objects, many on loan to the UK for the first time from India’s royal collections. The exhibition will include three thrones, a silver gilt howdah, gem-encrusted weapons, court paintings, photographs, a Rolls Royce, Indian turban jewels and jewellery commissioned from Cartier and Van Cleef & Arpels in the 20th century. The exhibition will cover the period from the 18th century when the great era of the maharajas began to the end of British rule in 1947. It will show the changing role of the maharajas in an historical and social context and look at how their patronage of the arts both in In

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