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Which of the presented methods (storyboard, animatics, etc.) should we use for a specific film?

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Which of the presented methods (storyboard, animatics, etc.) should we use for a specific film?

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The question is influenced by the structure and complexity of the scenes. As I have described certain sorts of storyboards can help with planning the composition, others play a role in estimating time, planning cuts, harmonising camera-movements, rethinking dialogues or even estimating costs. There are infinite possibilities.

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