Which is more exciting, seeing a comic book script visually realized or a TV script?
I’d have to say TV. Maybe it’s because it’s all still so new to me, but every minute has been a real thrill. I mean, I love TV. I love it. I loved it before I even moved to L.A., before I was even old enough to realize people actually write the words that actors say and the scripts that directors direct. Sure there is a lot of fluff and mind numbing stuff on every hour of every, day but there’s also a lot of quality and heart and powerful ideas coming across the airwaves. And it’s just neat to be part of the entire experience. That being said, there’s nothing like walking into a comic book store and seeing something you wrote on a rack. I love imagining these stories and then seeing the artist bring them to life. Do you find yourself applying comic book writing devices to television scripting? The short pieces, in the Boom! anthologies for instance, have to establish themselves quickly, then speed-up the rising action, usually ending at the climax. While full length comics are differen
