Which could we watch in Spy Kids 3-Dwithout the glasses ?
Good Old-Fashion Anaglyph Robert Rodriguez Uses High Tech Tools to Revive a Classic Format with Spy Kids 3-D By Ray Zone Some people just don’t like anaglyph. Viewing the world through complementary colored glasses, red and cyan, is just too much retinal bombardment for them. But the anaglyph continues to fascinate filmmakers and artists as a viable way to display stereographic imagery. Director Robert Rodriguez, creator of the popular Spy Kidsmovie franchise, is the most recent case in point. For the third installment in his popular Spy Kidsseries, titled “Game Over,” which opened on 3300 screens July 25, Rodriguez has made an extensive use of polychromatic anaglyph, introducing a a fuller palette of color into the two-color stereographic process. Rodriguez has done his homework and has made an entertaining and easily viewable film which is about 75 percent color anaglyph. The audience is directly told when to take the glasses off or put them on by on-screen instructions and the actio
The response to the film was mainly mixed to negative. Many people called the film “plotless” and complained that 3D version of the film “gives you a headache”, while the 2D version is “pointless”. Many complained that Juni got the lead role, while Carmen only appears in the film’s second half. However, the visuals were praised. It was surpassed by both other Spy Kids films. The film opened with a surprising $33.4 million, but didn’t quite live up to the first Spy Kids film. In the end, it grossed $111 million in North America. However, its overseas intake was double that of either of the first two Spy Kids films, at $85.3 million, grossing a worldwide total of $197,011,982, making it the highest grossing film in the series. The film had a 3D effect which was not removable in the DVD, but only for some European DVD releases.
Good Old-Fashion Anaglyph Robert Rodriguez Uses High Tech Tools to Revive a Classic Format with Spy Kids 3-D By Ray Zone Some people just don’t like anaglyph. Viewing the world through complementary colored glasses, red and cyan, is just too much retinal bombardment for them. But the anaglyph continues to fascinate filmmakers and artists as a viable way to display stereographic imagery. Director Robert Rodriguez, creator of the popular Spy Kidsmovie franchise, is the most recent case in point. For the third installment in his popular Spy Kidsseries, titled “Game Over,” which opened on 3300 screens July 25, Rodriguez has made an extensive use of polychromatic anaglyph, introducing a a fuller palette of color into the two-color stereographic process. Rodriguez has done his homework and has made an entertaining and easily viewable film which is about 75 percent color anaglyph. The audience is directly told when to take the glasses off or put them on by on-screen instructions and the actio
