Where are the films shown?
KL: We co-operated with one of the local theatres to make the first cinematheque in Korea [The Korean Film Art Center], and we always release our films there. PR: We both wanted to ask you questions about your influences, which you are talking about. I think that a North American or European audience looking at your film is going to see more of Asian influences than European. So Tarkovsky and Bergman are also art filmmakers, but I’m curious about the style of your film because it’s like Hou Hsiao-hsien and Abbas Kiarostami in some ways, but in other ways it is different. Rather than belabor the point, I imagine a lot of critics would say, oh it’s just like Hou Hsiao-hsien, because to a western audience it is strange that way. It struck me for example, that your film is both subjective and objective in an interesting way, and this involves the use of titles as well. Could you talk about that? KL: I mentioned Tarkovsky and Angelopolous not because they influenced my films, but I feel the
