What’s the scariest thing on earth?
B: I hate the ocean, I hate silent films, I hate backwards talking. Silent films because I know everyone in them is dead, and that makes me feel weird. I’m taking an early film class and it’s such torture. The first two-and-a-half-weeks were all silent. Lumiere and Chaplin—kill me now! What’s the heart of your set of effects pedals? A: We’re created on the basic principle of voice and vision. Bethany is the voice and I’m the vision, and when Bethany is just in the most clear free like… zen state and her voice is just coming out, it just trumps anything—it’s the pure beauty of what we have to offer. And that’s why we don’t know much about our equipment. I barely know how to work a single pedal—put reverb on and some delay and then Bethany—give her a smart water, turn her back to the crowd and you’re gonna get something like Mariah! I’m like, ‘Give me Mariah tonight, baby!’ I spend most of the time like ‘Let’s use these instruments, or these are the new directions we should go in.’ When
