What’s the largest difference between touring solo and touring as part of the Dresden Dolls?
Well, one thing that’s very different at the solo shows from the Doll shows is that I can really stop and talk to the audience depending on the night, depending on what’s going on, depending on how I’m feeling. I do a lot more direct conversation with the audience, which in the context of the Dresden Dolls, isn’t really fair. Then it just turns into an Amanda-fest—it doesn’t take Brian into account. Brian always looks to keep the show going, and if I were ever to start musing or talking, he would start to lose energy, start to get cold and become sweaty. Sometimes I’ll just kick up my heels and go on a ten-minute tangent though. There’s no one there to shut me up. Well, what’s currently on your mind? It’s been difficult to be on tour without the record being promoted properly—that’s been an uphill battle and a struggle. We’re doing what we can do. I’m trying to do a little press. I’m relying on the old school [method]. Like the way the Dresden Dolls were built. We didn’t have any label
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