What’s going on with the movie development of Tokyopop properties?
That’s probably our most important initiative because it’s very clear to me that without a big movie, without a big TV show it’s very hard to have a significant blockbuster hit. And you can look at anything that’s selling in the comic book world, or the manga world, or the book world in general and it’s almost inevitably related to some kind of film or television For us getting Tokyopop titles to become a feature film, a TV show is really important, so we have a real focused effort in Hollywood on producing. We believe that we’re a creative group. What we’ve always done is we’ve brought content we love to market and we’ve also created content so we think of ourselves as DJs, mixing stuff that exists, creating our own stuff and having our voice and our angle on things. That’s what the Tokyopop revolution is. So as film-makers, which we are, we want to make our voice known and get out there and show that there’s a huge worldwide commercial market for what we produce. What’s the furthest
