What were some of Sandro Botticelli compositional factors techniques materials and how does Holy Trinity work?
It actually sounds like a tough assignment for eighth grade. Botticelli’s style was actually more reminiscent of the Byzantine era than the time of the Early Renaissance in which he painted. The style was linear. Botticelli worked with undulating lines, and his figures frequently had long necks, sloping shoulders and pale soft bodies. You can see many of these characteristics on the figures in the altarpiece ‘Holy Trinity’, especially the whitish skin, sloping shoulders and sinous or twisting bodies. The women in Botticelli’s paintings often had golden hair or fair hair and did not display the appearance of someone from a Mediterranean region such as Italy. You will note that the angels in his altarpiece, ‘Holy Trinity’, have golden hair. His paintings do not reflect the three-dimensional realism that is evident in the later pictures artists painted during the High Renaissance. In the manner of the Early Renaissance, form is dependent on colour as opposed to a system using black, white
