What was the experience like, taping four one-hour programs?
AN: We were on a limited budget, and had only 16 shooting days over a period of 3 months to invent, work out methods, script, engineer, and execute the plan (and mind you, I also had other shows booked that we had to work around). On the road, I was sleeping from 4 am to 8 am, shooting from 10 am to as late as 10 pm, and then engineering, scripting, and blocking from 11 pm to 4 am. There was a real blood, sweat, and tears happening. It was an enormously tremendous task; but now, that it’s over, I have four shows in the can; and frankly, I’m quite proud of them. I think they represent a truly sincere documentation of my experience. O: What do you mean by “a sincere documentation of my experience?” AN: It was simply me doing what I do, at the places where I did them. The majority of the effects seen were my own ideas. Every take was a first take. We never did the same thing twice for the same audience. And the audience’s reactions were always sincere and never prompted or contrived. Some
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- What was the experience like, taping four one-hour programs?
