What was it like working with London/Nadir DPriest?
EG: I actually really had fun working with Nadir and the guys. For some reason, we just seemed to fit together immediately. The way I ended up managing them was that I promoted one of their shows, and then we had a big talk, hit it off and voila. This was in 1990, around five years after I’d worked with Todd Cooper and Concerts West on the doomed compilation album for Greenworld that featured London. Noise had signed London, there was a new album, a video, and it was an exciting time, albeit the end period of the band. There was also the usual baggage that a band carries around, like drinking problems, money problems, roadie politics, etc. There was even a connection to a biker gang that I had to diplomatically confront. But the guys were so cool to deal with that it made it worth it. Krigger, the drummer, had played with some top musicians and he was a rock ‘n roll gentleman. Keyboardist Vince Gilbert had been in and out of The Cult, I believe, and Brian West the bass player had been
