What was it like to write the screenplay about the African Burial Ground?
It was a lot of hard work, but I actually enjoyed it because, again, it’s the family interest. I had an opportunity to tell the story about how Africans had helped to build New York, which was something that was totally missing from New York history books. The discovery of this burial ground was really proof that Africans had been here, not just a few, but — you may know the burial ground was about five to six acres in size, and they estimated about 20,000 men, women, and children were buried there. So for me to be able to help correct the history of the city of New York, it was a lot of hard work, but it was very gratifying, one of the most gratifying experiences of my life. It was difficult for a variety of reasons, not the least of which was finding images of the Africans. I think one of the most difficult aspects of putting this documentary together was collecting the illustrations of enslaved Africans at work. But I found a wonderful artist by the name of Charles Lilley, and his
