What was it like being a first-time director on a grand feature?
KERRY: I have no perspective on that. I survived it. I can say that. The thing about this that’s kind of unique is that I had so many years leading up to it so that by the time we actually shot the movie with Jude and Gwyneth, I kind of knew it. So I was pretty prepared going into it. I think that if I had just been thrown out there as a conventional film, I would have been balling like a baby the whole time, which I still do routinely now. Q: Is this the future of filmmaking? Filming entire movies on sound stages without ever having to leave locations? KERRY: I think to some extent. I think that the writing is in the wall for this type of film – films that are ambitious in scope and scale. I think that the cost that’s involved with it and the public’s appetite to see more bigger things necessitate to something like this. Studios will always be OK in that they have the money. But I think it’s how it affects independent filmmakers that I think is most significant in that I think for the
