What was different working with Hecuba and Rainbow Arabia?
Butchy Fuego: They have really different approaches. When I did Paradise with Hecuba, they did a lot of preparing on their own. Jon is really detail-oriented and meticulous about his tracks and his arrangements are layered and complex. They wanted all these session musicians on it, so I knew all these people in Chicago. We got horn players, string players, a 30-person choir. When they were in Chicago, it was all tracking. And Jon was just conducting people, which I feel is what he will end up doing when he’s 50 years old. It was totally his element. With Rainbow Arabia, it’s just Danny and Tiffany on that record. I contributed a lot in terms of arrangements and helping with the beats and rhythms. We’re doing a new record as well. How much of the business end do you get involved with? Butchy Fuego: I’m not really very good about that. I’d rather just focus on making stuff. I’ve been fortunate to have people come to me who want to work with me. Luckily I manage to just do jobs I want to
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