What made “Tiffany Blews” the ideal song to build this comic book world around?
From your remarks, it sounds like you’re basing the story on the entire Fall Out Boy catalogue. PW: Not to go too far into it, but some of the main characters are from that, but they’re expanded. In a song, you’re limited to four-four time and melodies, so to have a description of what characters look like or what they feel or how they go about their life – those are creations that maybe have some basis in the song, but [“Tiffany Blews”] is the one that stuck out the most. When I played a couple of songs for Romanelli, that was the one that stuck out to him and to me as well. The main thing about it is I know that there’s tons and tons of comic books and stories out there, but the way this is both told and drawn is unlike something I’ve ever seen – and I’m not a huge comic book guy so I can’t say there’s nothing like it out there, but it’s got such a neo-slick “Pinocchio” vibe to it. It’s perfect to me. DR: You’ll see more when the first issue comes out. You know the genius behind Bret
