What led you to use Wagner’s The Flight of the Valkyries with the helicopter attack scene?
John Milius, who wrote the original screenplay, created that idea – as with so many creative aspects of the story and script. I only did some rewriting. Was it a challenge handling Marlon Brando? I spent several days with Marlon discussing the themes of the film and the specifics of the role of Kurtz (whom Brando had asked to rename Leighly). Marlon repeatedly resisted the idea that we could do the sequence in a manner following Conrad’s Heart of Darkness, which I was proposing. He said adapting the novella wouldn’t work and came up with all sorts of thoughts, some relevant, some not, about which way we should go. So I just sat patiently, worried though I was, listening and discussing many things with him, recording them and studying them later. Finally, after more than a week of this (I only had three weeks of his time), he showed up and I was shocked: he had shaved his head, like Kurtz in Heart of Darkness. I knew that meant he had come around to doing the role more like the novella,