What kind of memories?
My father R. K. Sekhar had worked for the top music directors in Malayalam – Devarajan master, Dakshinamoorthy sir, M.K. Arjunan… There was a `thinnai’ outside my house and I remember some of the top directors and assistant directors of those times waiting for my father… He would work on eight to nine films at a time – compose music for a film, arrange the music for another… I believe it was overwork that killed him. His memory still lingers in the minds of people whom he helped. They tell me even now how he helped them, gave them a break and so on. That influenced me a great deal. You have made the career of many new singers. It is not me trying to help. They also contributed. I merely tapped their talent. Take the case of Srini [Srinivas]. He got a break with `Padaiyappa’ because he is talented. He used to sing all my tracks. Rajanikant listened to the track of `Padaiyappa’ and then, later, when I played him the same song sung by a famous singer, he suggested we retain the voic