What is the different idea between Vladimir Tatlin and Naum Gabo in constructivism(art) idea?
Vladimer Tatlin was a painter and sculptor. Influenced by Cubism and Futurism he became one of the main protagonists of Constructivism from 1913. His project (only realized as a large model) for a monument to the Third International (1919–20) consisted of a steel double-helical structure over 400 metres high, with rotating glass buildings containing administrative, legislative, and propaganda facilities for the Komintern. Intended as a symbol of progress and technology (based on images of fairground structures and oil-derricks, and painted bright red), this proposal became a paradigm for architects such as Leonidov, El Lissitzky, and Vesnin, and was admired in avant-garde circles in the West. It has also been a potent image for those associated with Deconstructivism. Whereas Naum Gabo lived in Munich and Norway until the end of the revolution, when he returned to Russia. With Pevsner he wrote the Realist Manifesto (1920), which proposed that new concepts of time and space be incorporat
