What is it that drives that meshing of sound?
Milk: I’m glad you noticed! It’s funny because there really aren’t that many layers to our songs. They’re pretty straight forward musically. But we love to explore things like drone and feedback, using delay and fuzz to build a wall of noise. We also like to record things like street noises, stick a microphone out the window and stuff like that. Play around with those. So a location noise will come in instead of a guitar fill. There’s loads more fun to be had with that kind of thing. Sahara: I enjoy the fact that each song has certain character in itself, and each song is different. In terms of sound, I love using the sounds that not many people really hear, or if they hear it they never really listen to it, and they think it’s ugly. For instance when they sit on a train they put their CD player on, and try not to listen to what’s happening around them. But you can use all those noises happening around you, conversations between people, natural and unnatural sounds, all at the same tim
