What instrument does Reggie Watts prefer to use?
From Wikipedia: Reggie Watts (Reginald Lucien Frank Roger Watts) is a multidisciplinary comedic performer. Instrument(s): Vocalist, Keyboardist, Loop Sampler Watts was born c.1972 in Germany to a French mother and a African-American father and raised in Great Falls, Montana. He attended Chief Joseph elementary school and graduated from Great Falls High School. Watts moved to Seattle at age 18 where he briefly attended the Art Institute of Seattle before eventually studying jazz at Cornish College of the Arts. Watts made his name playing and singing in various bands in the Seattle music scene through the 90’s to the present, but has now shifted to music comedy since 2004. His comedic experience includes the New York/L.A. alternative comedy scenes, SXSW, projects with The Yes Men, the Montreal Comedy Festival, Cape Town and Edinburgh Comedy Festivals, TBA Festival in Portland Oregon, New Yorks Under The Radar Festival, The Fuse Box Festival in Austin, Bonnaroo, Sasquatch Festival, SXSW,
Described as “Reggie Watts: Supercomedian. Faster than a speeding punchline” (Seattle Times), Reggie Watts regularly performs to thrilled crowds throughout the US and Europe. Combining looped vocals created live on stage with his unique brand of improvised comedy, Watts’ is a show definitely not to be missed by comedy or music fans alike. In his unique sets, Reggie’s subjects range from ancient history, technology, magic, spirit elves, dragons, mythology and theology to pop culture. The music incorporates hip-hop, trip-hop, 80’s pop alternative, nu-metal and classical opera, no two songs are ever the same. Reggie loves to disorientate and confuse people in the most entertaining way. An experience I would highly recommend. Very unique and individual. A very talented man. Extreme, hilarious and very entertaining Three Weeks Reggie Watts has been selling out across the globe, including two smash hit runs, one at Joe’s Pub in New York City and the other at The Sydney Festival 2009. Reggie
His stage show consists of Watts — sporting a bouncy, Sideshow Bob ‘fro — a microphone and a sampler. He records a mouth-made bass line with the sampler, then a drumbeat, then a cymbal, then a guitar, layering them all via sampler. Then he sings or raps over his mouth-made music. Usually the song is improvised; often it’s sung in a German or Cockney or Ebonic accent, or sometimes all three. Watts frequently loses himself in the performance, spazzing out like a Tourette’s-suffering drunk with cabin fever and a terrific singing voice. This process is usually very, very funny. It’s original, in that there’s little reliance on traditional joke/punchline structure or clichéd “ever notice?” Seinfeld-isms. It is never mean, however. Unlike most of his peers, Watts avoids irony and condescension. “If you don’t love something and you’re making fun of it, it comes off as being mean or hateful,” he said. “Anything I’m being silly about on stage is a celebration of stuff that I love. Inherently th
From Wikipedia: Reggie Watts (Reginald Lucien Frank Roger Watts) is a multidisciplinary comedic performer. Instrument(s): Vocalist, Keyboardist, Loop Sampler Watts was born c.1972 in Germany to a French mother and a African-American father and raised in Great Falls, Montana. He attended Chief Joseph elementary school and graduated from Great Falls High School. Watts moved to Seattle at age 18 where he briefly attended the Art Institute of Seattle before eventually studying jazz at Cornish College of the Arts. Watts made his name playing and singing in various bands in the Seattle music scene through the 90’s to the present, but has now shifted to music comedy since 2004. His comedic experience includes the New York/L.A. alternative comedy scenes, SXSW, projects with The Yes Men, the Montreal Comedy Festival, Cape Town and Edinburgh Comedy Festivals, TBA Festival in Portland Oregon, New Yorks Under The Radar Festival, The Fuse Box Festival in Austin, Bonnaroo, Sasquatch Festival, SXSW,
