What guitars and amps did you use to record Angelfire?
I started with my normal Music Man electric. Then I used a Buscarino acoustic/ electric nylon string guitar, an Ovation steel string, a Steinberger 12-string, a Music Man baritone guitar tuned down to B and a Line 6 Variax. Everything was either mic’d or direct. What studio did you use to record your parts? I used my own studio. It’s a very modest endeavor, built for space rather than sonic perfection. I’m attached to my old board, which is still wired to my old Studer 24-track, so everything went through the board on its way to being recorded by the computer. The old Urei compressors still work and are used on all vocals and clean guitars. How did your guitar approach with Sarah Spencer differ from your solo productions? My approach is always the same; to try and create sonic depth. With Angelfire, I wanted to have no distortion at all while she was singing since her voice is so perfect, which meant combining different sounds that were clean. For instance, while I’m playing a busy arp
