Was there a reason for some of the songs being left off Camera Camera and Time-Line?
They weren’t actually left off, a lot of the songs were songs that we recorded independently of those two albums, and some of them are completely different from that particular style that we were doing, which was far more electric. So there’s no real connection, it was a question of over a period of those years, from the late 70s to the mid 80s, that we had been in the studio and done different tracks, and then when Annie and I were discussing it one time, about a lot of these tracks that had never been released, to see what we’ve got. It is a slight mixture, because there are a few things that are far more electric than acoustic, it doesn’t gel, but it is interesting from the fact that they are unreleased. They were recorded to go on an album someday and they finally made it. Which is your favourite Renaissance album and why? Well, I don’t really have a favourite. There are favourites for different reasons. I suppose Prologue being the first one because it was the first one, they were
