Was it a hard transition from the slow-paced scene musician days to working on full orchestral scores?
PM: It was hard, yeah, but I think it is just the way it is. Like everything in life where you want to be good at something, you just have to learn, study, and work hard. ZINE: You released your first album “Musicdisk”. How long did you work on it? PM: Around three years, all in all. I did a set of new pieces for it, trashed everything and then started all over again. The way I picked the already known tracks was really simple; I searched the internet to see which tracks people liked and from there I chose those who were doable. I also found it hard to do the remixes of the known tracks since people knew them so well and also my own expectations were quite high. Of course, I didn’t slave away day and night for three years, but I worked whenever I had the time and the energy to do so. ZINE: Are you going to stick to composing for a living? PM: Yes. That is probably the reason why I haven’t done any major scene work for the last four years, because I really want to make the most out of m
