So, as a musical dynamic, what are the most important elements of electronic composition and production for you?
I have always been drawn towards music, and it is within that word that my tolerance is monitored. There are a lot of electronic songs that are not affiliated with that word which are more of a scrambling, offensive jargon of atonal, otherwise chaotic sound that is just very irritating, especially because it is created within a paradigm of music that is so severely criticized by foreign listeners. Any producer who is bold enough to really tackle the scale of musical notes consciously, with a multidimensional approach within the symmetry of melody/harmony, bassline and percussion, consciously, as if inspired, can be recognized by anyone. Just because we have the technology to condense the sound of a burning school-bus crashing into an intricate multi-coloured-glass-latticed dome, killing everything, doesn’t mean we need to release it as a song within the genre of ‘Intelligent Dance Music’, which by the way I think is the worst thing that has ever happened to labeling. I love the music a
