Is there a transformation to Ozymandias?
MG: Well, Ozymandias is obviously his alter ego, right? There’s no sort of great transformation. That’s for a good thing, because I could never put that suit on particularly quickly. It requires a lot of talcum powder. But yeah, but I mean, there’s a sort of physical empowerment once you do put one of those things on. It’s kind of good, you got what’s interesting about the character is that we developed a very interesting difference between the public and the private personas. That’s just him and him, and also with his alter ego as well. So he’s complicated, and multi-layered. PF: How do you feel about doing a film where there is added pressure on you from fans of this kind of genre? MG: I think it’s the same with Brideshead, I could understand it a bit more. Once you do something which is so revered, which is also, you know, both of those are in the top 100 novels lists, so. I got it and you really need to trust your director at that point. I think Watchmen got the best director it co
