Is learning to produce a sound on the shakuhachi headjoint more difficult than the transverse flute?
Over the years, I have noticed that, while the shakuhachi embouchure is unique to this traditional instrument, players with experience on the Western silver flute adapt to it quite readily. Attending the National Flute Association conventions, I am impressed with the facility of so many folks who had never before picked up a shakuhachi. That being said, the instrument does make its own demands and will require practice in order to produce a strong resonant sound. Many players have commented that the shakuhachi headjoint is actually capable of creating a noticeably “bigger” sound than that of the transverse headjoint. Given the broader width of the shakuhachi blowing edge, this comes as no surprise. Consulting one of the shakuhachi playing guides I have available may be helpful. While most of these resources go into depth in matters peripheral to the Shakulute, all of them touch on the issues of embouchure and how to produce a good sound. I would recommend, in particular, Bruce Huebner,
Related Questions
- How does the sound produced by an instrument using the shakuhachi headjoint compare to that of the classical side-blown flute?
- Im thinking of learning to play the flute. Is is very difficult to learn, Will it take a long time to learn to play well?
- How can I be certain that the shakuhachi headjoint I order will fit perfectly into my silver flute body socket?
