Is it difficult to co-ordinate an architecture studio while travelling around the world?
I try to keep my trips three days long as a maximum. This way, even though you are travelling, you don’t lose contact with the studio. You are a young architect –41 years old– and have wide professional experience. During lunch we have talked about the unemployment problem within the profession. How do you get your clients? I have always tried not to break the continuity of work. At the School of Architecture, I worked with the teachers I found more interesting: Albert Vilaplana and Helio Piñón. After finishing my studies, I stayed on in the university on a scholarship, as a lecturer, assistant professor, etc. You follow a path, more or less intuitively. When you are learning a trade, you always have the feeling that there are many things left you should know, that you are short of time. When protesting against the university curriculum, and you remember your life as a student, what comes to your mind is the lack of time, time to learn this or that. I have always tried not to put an