Is costume jewellery booming now because people aren’t buying the real deal during shaky economic times?
“Costume jewellery generally does better in struggling economies. It becomes part of the disposable income much in the way that makeup does.” Statement accessories are still going strong. Why do you think women are coveting these large-and-in-charge pieces? “I think there’s an area of experimentation with jewellery, and if you’re wearing a big necklace or big earrings, you are going to feel empowered.” You were born and raised in Brooklyn. Why did you decide to set up your office and design studio there as well? “I love Brooklyn. I live five minutes away, so it’s selfish in the sense that I can walk to work. I had my business in the city for years, but in terms of the energy level, it’s so much quieter here. When I want to take a walk, I want to be on the water, I don’t want to be at 47th and 7th.” You’ve designed jewellery for Michael Kors. Any plans to collaborate with other designers? “I just did Betty Jackson in London, and we did the jewellery for the Barbie show for stylist Patti
