If PODgallery artworks are available in many different sizes, from several different types of printer, how can artists (and your clients) be assured that the work is being presented as intended?
We calibrate all of our monitors and output devices to a single, independent digital target (a version of Adobe Photoshop’s “Ole No Moiré” file) so that everything we produce will be as closely calibrated to everything else as possible. Our attitude towards the scale of a digital image is that it is inherently variable – – pixels have no physical dimension until one is assigned to them. All of our artists give us their work in what we call its “native resolution” (the number of pixels they originally used for a piece, which might be high or low) knowing that we will offer it for sale in a range of sizes. Q: I had an opportunity to see a show of PODgallery prints at ArtLexis and found them absolutely breathtaking – on the Internet though, the same pieces lose much of their power. Do your artists find that showing work online limits the viewers’ ability to experience their “vision” of the piece? A: Showing a low resolution, highly compressed version of a work of art over the Internet is
Related Questions
- If PODgallery artworks are available in many different sizes, from several different types of printer, how can artists (and your clients) be assured that the work is being presented as intended?
- I am printing different file types to my printer but the printer gets stuck in one emulation even although auto emulation is selected. What can I do?
- Are there specific sessions for different types of clients?
- Are there specific sessions for different types of clients?
- What Are the Different Types of Printer Paper?
- What Are the Different Types of Printer Paper?
