How was your role with Opera Atelier in Mozart’s Idomeneo different from past performances?
For one thing, it was in Toronto, so I could sleep in my own bed. From a performance perspective, I have always considered myself and promoted myself as more of a recitalist, which allows me to get in and out of a city or concert on my own in a day or two. With Opera Atelier it was six performances and I was part of a collaboration. I sang in trios and quartets, which I seldom have the opportunity to do, and it was wonderful. How did you first get involved with environmentalism? I first got involved with the World Wildlife Fund because I like the work they do. I wanted to understand environmental issues more deeply, as a representative of the WWF, as a person and even as someone in the media. One of the first things they suggested I do is conduct an environmental audit of my house. What role do artists and performers have to play in helping the cause? Performers stand up and speak out for a number of causes, but the environment affects everyone, regardless of politics. I wouldn’t go so
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- How was your role with Opera Atelier in Mozart’s Idomeneo different from past performances?
