How is the “iceberg principle” used in Hemingways works?
Answer Hemingway’s theory of omission is widely referred to as the “iceberg principle.” He explains this principle in chapter 16 of his 1932 book, Death in the Afternoon. Essentially, the principle states that by omitting certain parts of a story, a writer actually strengthens that story. The writer must be conscious of these omissions and be writing true enough in order for the reader to sense the omitted parts. When the reader senses the omitted parts, a greater perception and understanding for the story can be achieved. Let’s apply Hemingway’s “iceberg principle” to the endings of some of his most famous works. At the end of The Sun Also Rises, Jake Barnes and Brett Ashley contemplate a life together. At the end of A Farewell to Arms, Frederic Henry walks back to his hotel alone in the rain. At the end of For Whom the Bell Tolls, Robert Jordan awaits his impending death. The fate of these characters is never directly stated. Hemingway doesn’t tell the reader that Jake Barnes and Bre