How is it working with Elvis Costello and Debbie Harry?
One thing that we always try to do is, we want to make sure that whatever we do on record is exclusively for artistic reasons. In all those cases, they came about totally naturally.For Elvis Costello, it was a thing where it was like, “Hey who would be the best guy on earth to sing this?” It would be Elvis Costello. And then somehow we got him, which totally blows my mind. Is there anyone else you would like to work with? At this point, not really. I think it’s kind of like a record by record basis. If a song calls for it, we’ll find someone who would work. But generally, it’s not a goal. I also think, to a certain extent, there are two things about that – we had also on the record; no one really talks about, Ronnie, who used to be in The Wallflowers. He played some organ parts. And that was a really big thing for us too because he’s just such a great player. We had Tony Visconti, legendary producer. He did a lot of David Bowie stuff, T.Rex stuff. He came in and did string arrangements
