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How do art historians based at universities see themselves using the final product?

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How do art historians based at universities see themselves using the final product?

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A. Many art historians have inquired about our data, but like any new technology, they are not exactly sure how to use it. Among Michelangelo scholars, one inquiry I have received that particularly struck me was posed by Professor Irving lavin of the Institute for Advanced Study in Princeton. He wants help with a long-standing problem that involves the exact dimensions of the allegories on the Medici tombs. We are currently scanning these statues, we hope to be able to help him. I should note that in the short term, it will be difficult for most art historians to use our models simply because they are so large. However, we will eventually develop simplified models, our software for viewing and analyzing these models will improve, and computers will get faster. Q.

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