How did you feel about getting Danny Elfman to work on the films music score?
He’s amazing, man. I feel very fortunate to be able to party with Danny. He just did an amazing job. His music always has kind of like a weird streak to it, which I really like, and he just seemed like the right guy. And I was really lucky that he was able to come on board. Did you find you had to walk a fine line between being funny and being offensive with the character stereotypes? Yeah, certainly…The world of Lucha Libre is something that’s so outrageous and funny, and when you experience it live, it’s like entire families are there, and they are totally making fun of like all the guys that are wrestling. They have their favorites, and they’re totally trashing the other guys, and they banter back. And it’s such a funny, crazy, bizarre thing to experience. You know, it was very important in making the film that we shoot on location in Mexico with real wrestlers, real fans of Lucha Libre. And our whole crew was Mexican, they were all from Mexico City. And I don’t feel like it’s my
