How did you decide to work with up and coming producers like Boys Noize and Free School?
Last year I was in Paris, and just being out there and being in London and being in Europe and sort of falling in love with some of the underground stuff that was happening, I was like, this is a real movement that’s going on. Honestly, people party differently. I felt like everything here has gotten so clean and plush and manicured. I want people to dance again. I want people to sweat. I want people to enjoy the way things used to be, the debaucherous nights that you try to forget about in the morning. How do you get that back? I think it starts with the music. It’s a lifestyle. I just started putting my feelers out there for up and coming young guys who had this new electro sound. Free School is actually a different situation, but with Boys Noize, that’s how it happened. Free School is a long story, but he’s someone who works with will.i.am. We sort of met—not through Will, but I’ve known Will and ended up working with Will and it just all made sense. So how did you come to sign with
