How can you represent the “shuffle”, which is not exactly binary rythm, nor exactly ternary ?
R. Generally, I represent in ternary rhythm what seems to me the closest to ternary rhythm, and I formalize in binary rhythm what seems to me the closest to binary rhythm; I do not see any way of doing otherwise; this is not a shortcoming of my formalization software, but quite simply, a shortcoming of sight reading. The way to play a good shuffle is the part of the pianist as you are, in the same way you choose to play “piano “or “forte” such or such passage.
