Have past Disney films had a big influence on TANGLED? Or, perhaps stage musicals or other outside influences?
BH: Nathan and I are like a couple of sponges. We have things we like about live-action films and stage performances and music – we have so many influences. I mean, a photograph can influence you, or the way someone says something – so many things. We always try to think of new things to add to these movies. So, we go out there and try to soak up all this stuff – all this inspiration, all this magic. We try to cram as much of it as we can into ninety minutes of film. PC: And you have a huge studio, correct? BH: We have about four hundred, four hundred and fifty people who work on these movies with us. We are really proud of the team we have here. It’s a pretty remarkable place to work. NG: It’s in Burbank. It’s actually the oldest running animation studio in all of Hollywood. That’s pretty exciting, just to be a part of that history. I mean, we have a guy named Glen Keane working on this movie and he animated Ariel and The Beast and Aladdin. Such a rich history is here. But, at the sam
