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Does this shift away from interactive media reflect an attitude to the concept of interactive art?

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Does this shift away from interactive media reflect an attitude to the concept of interactive art?

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10

Interactive art is really about foregrounding the control the artist has over the user. In this sense interactivity is really a fiction I think. I have always found the notion of choice in interactive media quite odd. It’s art, not online shopping. As an artist I want to impose my aesthetic and sensibility onto people, I don’t want them to have a choice about it. My take on interactivity, therefore, has been very different from other artists. I’ve always tried to screw with it a bit as I had problems with this whole idea of a digital imperative, of technology and the computer leading the art. This new work is a bit of a break from that. You’ve raised the thorny issue of arts funding in Australia. What is your sense of the current state of media art, from a curatorial and institutional perspective? Media art exhibitions can appear like a Sony showroom. It’s often about a ‘sophisticated’ and tasteful aesthetic experience with video works exhibited on plasma screens and interactive works

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