Does the fact it has reached cinemas represent a quantum censorship shift?
At first, it’s hard to know exactly what is going on. What we do know is that this man is in a white-hot rage, ready to explode. The camera swishes and jolts with jagged force down the deafening, dark-lit, carnal corridors of a gay S&M club called Rectum as Marcus (Vincent Cassel) goes in frantic search of a man called Le Tenia. He lurches through gauntlets of debauchery, angrily interrogating patrons for Le Tenia’s location while his friend Pierre (Albert Dupontel) tries keeping up. In a dim, seedy corner, Marcus thinks he finds the man he is after and picks a fight, his violent outburst instantly, seamlessly blending in with the tenor of the club. Within seconds, Marcus is overpowered and face-down on the floor. His arm is snapped backwards and he is prepared for anal rape while others gather and watch excitedly, regarding the violence as a piece of impromptu performance art conducted for their pleasure. = 4) { b = 1; } else if (name == ‘Microsoft Internet Explorer’ && ver >= 4) { b
