Do you think this painful memory is also collectively shared by Anberber’s generation in the Diaspora?
HG: Oh, Certainly. In fact, a lot of people would ask me, “Is it biographical?” I say, no it is a collective experience. It’s a stolen story of a whole lot of people. So the generation that this film speaks to is an idealistic generation, who were sent abroad by governments or by personal ambition, to bring the tonic that would transform their society. Therefore, you have a generation that was leaving the country as if they were sent to go and bring the medicine and cross the river and comeback. Yet, the journey is more complex. When you cross the Atlantic and the threshold of the so-called modern society, you enter in to a new orbit and your journey becomes more complicated. For me, and especially my generation of Ethiopians of the 1970’s and late 60’s, this is the dilemma that dramatized even their well-intended political dream into a nightmare. So it is a generational, I would say, biography. What memories do you have of that time? Are they reflected in your film? HG: Well I would s
