Do you ever think of the didge as a divining rod that leads to people, place and experience?
SK: I’ve not really thought about it quite like that, but sometimes it is. You can look at your life in hindsight and the decisions you made might seem very small, but these seemingly insignificant moments in ones life play out and become huge tectonic plates in the large scheme of your earth experience. So in a way I do I suppose. I played a small event last week in the Mission to raise money for a small independent art space so that they can keep going the threat of increased rents and the dot-combination of the Bay Area and it was in a venue that I played at when I first came to San Francisco nine years ago and maintained something of a relationship with. Sometimes I play certain events where the meaning of what I do transcends me. The moment takes me into almost shamanic territory. And it felt to me during that performance that I had the sense that it is a divining rod, a shaman’s tool that it focuses whoever’s there into something deeper inside of them. What I can do with the didg
