Did you feel similar pressures when trying to film the many elements of Liors story?
No. Fortunately, the whole experience [of shooting] was more instinctive than anything I’ve ever done in my life. Piecing it together was another story. Matthew Sorrento edits the film section of Identity Theory and is a regular contributor to the web magazine Film Threat. A observer of both good and bad cinema, he was named one of the nation’s “crankiest movie critics” by the L.A. Times in 2007. He teaches English at Camden County College and lectures on film at Rutgers University in Camden, N.J. Email him at film@identitytheory.com.
