Did the coloured version of Mugal-E-Azam (that released in 2004) inspire you to colour Hum Dono?
Not really. We have been providing service to the U.S. companies. Moreover, this technology is new and the best around and whatever is best is more costly. So we never focused on Indian films because here budget is always a major issue of concern. Finally, we decided to enter the scene as Navketan was insisting us to work on an Indian film. We never focused on colouring Indian films because here budget is always a major issue of concern. What is the status quo of the work done on the film? The work is still going on. We have just finished colouring a small demo which we will be showing to the world during the announcement of the film. We want this to be the breaking news as something of this class is happening for the first time in Indian cinema. We are expecting to finish the work by the end of December. What is the budget of the colorization of the film? As this is the joint venture between us and Navketan films, budget is not really our issue of worry. We are colouring and releasing
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