Dave, what was the CG to practical ratio during the big police car chase sequence?
Meyers: It’s about 99.9% real. There is no CG at all in it. The only thing that was done was that we broke cameras. I gambled correctly and put the camera right in harm’s way. So, we shot each sequence with ten cameras. So four or five of the cameras would see some of the other cameras and we’d have to erase them. It’s kind of just the art of invisibility. There is only one really major CG thing, which was the rabbit, which I think is pretty much out of the box right now, but everything else was the art of trying not to have anything. Q: Sophia, there’s so much competition among young actresses and you’re slowly making this transition from TV to film. How hard is it for you to find the kinds of parts that really challenge you as an actress. How difficult is it for young actors in your age group to find quality scripts? Bush: I think it’s definitely hard to find films of quality that you want to make and particularly even when this script came, it’s like prior to reading it, did I reall
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