Could modern crop pictures be associated with time travel, or with a carefully engineered change in Earth history?
Could all of these modern crop pictures be portents of Quetzalcoatl’s return, in early 2013 or maybe 26 years later in 2039? If so, why should they appear near Avebury in southern England, rather than in central America where Quetzalcoatl once taught? We have no definite answers yet to those important questions, but something is surely afoot. Indeed, by showing us pictures that seem to have been transmitted through some kind of “conduit” or closed time-like curve, from another space or time to modern humans here on Earth, are those crop artists trying to change our current historical timeline? From one that leads to destruction (“much pain but still time”) to another that leads to peace (“believe: there is good out there”)? “One feature of a closed time-like curve is that it opens the possibility of a historical timeline that is not fully connected to earlier times. Ordinarily, the principle of causality requires that each event in space-time be preceded by its cause. Yet in the presen
