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Are these notations really just for obscure atonal, chromatic, twelve-tone music, and not suited for the tonal diatonic music that everyone likes?

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Are these notations really just for obscure atonal, chromatic, twelve-tone music, and not suited for the tonal diatonic music that everyone likes?

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No, notations with a chromatic staff actually represent the interval relationships that are fundamental to diatonic music much more accurately than traditional notation does (see Intro: Interval relationships and Intervals Tutorial). So we think this approach offers advantages for tonal diatonic music (or any kind of music).

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